Act Three
[Scene: Pyschologist’s office. Bathroom. PAIGE and PHOEBE orb in.]PAIGE: I can’t believe we just got demonically duped!
PHOEBE: Well, it’s not like it hasn’t happened before.
PAIGE: You’ve had innocent disguised demons before?
PHOEBE: They were kids, but yeah. (She opens the bathroom door, peeks out and doesn’t see LAURA, so she walks out with PAIGE.)
PAIGE: Kids?
PHOEBE: (dismissively) Long story. (She takes a seat behind the front desk.) The point is, we have to get over it so we can find this guy and vanquish him.
PAIGE: I want to know why he went through all the trouble of pretending to be an innocent just to get us to vanquish an entire clan of demons in the first place, though.
PHOEBE: Demonic turf war?
PAIGE: I suppose. (She glares.) I bet he planted your premonition earlier, too.
PHOEBE: Well, dwelling on that now doesn’t help matters, just go back to the Manor and help Prue. (pause) And then call me if you need the Power of Three.
PAIGE: Yeah… (She orbs out. A moment later, LAURA walks out of her office.)
LAURA: Phoebe. (She folds her arms.) I was wondering where you went.
(PHOEBE throws her boss a hasty smile.)
PHOEBE: Uh, my car?
LAURA: For twenty minutes?
PHOEBE: Er, heh, yeah, actually, I lost my- (DRAKE shimmers in behind LAURA.) Drake!
LAURA: Drake? (confused) What is a Drake?
(DRAKE waves to PHOEBE and then snaps his fingers. LAURA’s eyes close and she falls backwards into his arms. He smiles down at her.)
DRAKE: Ooh, I didn’t realize you had such a lovely boss.
PHOEBE: What did you do to her?!
(DRAKE looks around and then carries LAURA into her office, where he lays her on the couch.)
Drake: She’s just sleeping.
PHOEBE: Why?
DRAKE: Why? Why?
(DRAKE snaps his fingers and PHOEBE’s studded jeans and yellow jeweled halter top transform into deep V-neckline and backless dark red cocktail dress with a strappy silver sandals and a long matching silver necklace that’s almost the length of the neckline. PHOEBE gawks down at the clothes.)
PHOEBE: What on earth-
(DRAKE grabs PHOEBE’s wrist and they shimmer off.)
[Scene: Piper and Leo’s house. Kitchen. MELINDA and CHRIS are strapped into their pink and blue baby bouncers, which are sitting on the table as PIPER puts dirty dishes into the dishwasher. The phone rings and she moves to the wall and grabs the phone from its cradle.]PIPER: Hello? (She backs from to the dishwasher with the phone cord dragging behind her. She grabs a dish from the sink and places it in the dishwasher, then her eased expression changes to alarm.) No, of course, I’ll be right there! (She closes the dishwasher and hangs up the phone.) Leo! Leo! (She runs down the hallway and meets her husband at the door to their bedroom.)
LEO: What’s wrong?
PIPER: I’m not exactly sure what happened, but I just got a call from Drew-
LEO: The delivery guy at the club?
PPIPER: Yeah, he said Monica cut her hand at work and so he’s driving her to the hospital. (She motions to the kitchen.) I need to get down to the club, so can you handle the kids?
LEO: Of course.
PIPER: Thank you! (She kisses him and then runs back down the hallway.)
[Scene: A candlelit restaurant with a single table with a red rose at its center. PHOEBE is there, pacing around the room furiously.]PHOEBE: (yelling) Drake! Drake! You get back here right now! Draaake!
(DRAKE shimmers in with COLE. COLE, who’s wearing a tux, breaks away from him.)
COLE: I said I’m not- (He sees PHOEBE.)
PHOEBE: (at the same time as COLE) Cole.
COLE: (at the same time as PHOEBE) Phoebe.
DRAKE: Aw, love. (He smiles wistfully.) The courses of true love never did run smooth.
(COLE and PHOEBE turn to DRAKE.)
PHOEBE & COLE: Take me back!
DRAKE: So you can keep avoiding this tension between you? (He waves his hands.) No! I refuse to sit back and watch another epic love turn tragic.
PHOEBE: (angrily) So what, you’re suddenly a demonic Cupid now?
(DRAKE claps his hands and two chairs appear behind PHOEBE and COLE. The chairs push against the back of their legs, causing them to fall into the chairs, and then slide them across the floor to the table.)
DRAKE: Demonic Cupid…now that has an interesting ring to it.
COLE: We don’t need you playing matchmaker, Drake.
PHOEBE: This is something that we have to work out on our own.
(DRAKE nods.)
DRAKE: I see your point.
(PHOEBE starts to stand up.)
PHOEBE: Good, so you can-
(DRAKE points at PHOEBE and she falls back into her chair. A fancy silver platter appears in his arms and he rests it on the table, pulls the lid, and reveals garlic bread surrounding a mound of steamy spaghetti. A champagne bottle in a bucket of ice appears and he also sets it on the table.)
DRAKE: Bon appétit! (He steps back.) Just whistle when you’re ready. (He disappears.)
[Scene: Manor. Attic. The Book of Shadows is sitting on the table, open to a page with the name “Marchosias” at the top and a picture of a demonic ox head with red eyes and large bat wings protruding from each side of his head. PAIGE is sitting on the couch, writing something on a yellow notepad as PRUE walks in on the cordless phone. She hangs up.]PRUE: Nobody’s answering at her work and she isn’t picking up her cell. How about you?
PAIGE: I’m not any closer to finding out anything about our Demonic Innocent other than the paragraph entry in the Book…or why he wanted the Casziels vanquished. (pause) You’d think that demons wouldn’t want of vanquishing their brethren, wouldn’t you?
(DRAKE shimmers in. He smiles politely and reveals PHOEBE’s cell phone in his hand. PAIGE jumps up and grabs the phone.)
PAIGE: Where did you get that? (She glares.) Where is Phoebe?
DRAKE: Busy. (He shrugs.) I figured since you were calling so much, you might need a little help, am I right? (He rubs his hands together and spots the Book of Shadows.) Ooh, what do we have here? (He walks over and looks at the page and picks it up.) Oh, hey, I know them!
PRUE: You do?
(DRAKE nods.)
DRAKE: I met them through some (he sets the Book down and makes air quotes) high society demonic get-together. They’re an old fashion lot.
(PRUE moves to the Book and turns to the page about the CASZIELS.)
PRUE: What about them?
DRAKE: The Casziels? Funny you mention that, their family has actually been at odds with Marchosias for centuries…at least up until a few years ago.
PRUE: What happened to end the feud?
DRAKE: Ron and Jennette.
PAIGE: Jennette? (to PRUE) I thought she was part of the ploy?
DRAKE: Oh no! They were the gossip of the Underworld for about a year after it happened-
PRUE: (frustrated) What is “it” that you keep talking about?
DRAKE: Love, of course!
PAIGE: (muttering) Shoulda seen that one a mile away.
PRUE: So, we’re talking about a Demonic Romeo and Juliet here?
PAIGE: So, what happened to reignite the feud?
(DRAKE winces.)
DRAKE: A terrible accident. Daylen, that was Jennette’s-
PRUE: Brother, we know. Skip ahead, please.
DRAKE: Well, he tried to kill Ron and Jennette saved him at the expense of herself in true romantic fashion and-
PRUE: And that’s why Ron came to us for revenge, because we were the only ones with the power to vanquish them all for good.
[Scene: P3. PIPER fills a glass of beer and slides it across the table to a man sitting with his girlfriend. She turns and spots another man at the other end of the bar, with his head and arms lying on the bar. She walks over to him.]PIPER: Excuse me, sir, can I call you a-
MAN: (slurring) Anoser ones. (He pushes his shot glass towards Piper, but she shakes her head.)
PIPER: I’m sorry, but you’re too intoxicated for me to serve you anymore…can I call you a cab? (She reaches for the phone, but the man grabs her wrist.)
MAN: (enraged) I want a shot! (He looks up at her with bloodshot eyes, then he grabs his shot glass and throws it at her, but it misses and shatters on the ground behind the bar.
(BRUCE, the Bouncer, suddenly approaches and grabs the man at the bar, restraining him.)
BRUCE: I think you’re going to have to come with me.
PIPER: (relieved to see BRUCE) Thanks.
BRUCE: No problem, Piper. (He starts to walk the man away.)
PIPER: I’m going to call him a cab, can you wait with him?
BRUCE: Sure thing.
[Scene: Candlelit dinner. PHOEBE and COLE are sharing awkward glances. COLE pours himself a glass of champagne and holds up the glass to PHOEBE, but she lightly touches her stomach and holds up her hand.]PHOEBE: I’m uh…not really in the mood.
COLE: Oh. (He gulps down his glass of champagne in two gulps.) Look, can we just talk and get this over with?
PHOEBE: What is there to say?
(COLE shrugs.)
COLE: Oh, I don’t know, (he grabs the champagne bottle and takes a gulp) maybe you’re right, you walked out on our wedding, I guess that says it all, doesn’t it? (He takes another drink from the champagne bottle.)
PHOEBE: It’s not like that! (Cole just keeps drinking.) Cole! (She forcibly grabs the bottle and throws it to the ground.)
COLE: Damnit, Phoebe! (He smacks his arm across the table, throwing the spaghetti and garlic bread to the ground and smashing the plates. PHOEBE jumps back in shock.) Do you have to take everything from me?!
PHOEBE: You just don’t understand!
COLE: You’re right, I don’t understand. I don’t understand why you don’t want to marry me if you’re as in love with me as you say you are.
PHOEBE: That’s not fair. (She points her finger accusingly.) You…you’re one-hundred and eighteen-years old, Cole, and I am twenty-seven. That means you’ve got ninety-one-years of living life on me! I’m sorry if your internal clock is ticking now, but the reality is, mine isn’t. God, Cole, (she presses her palms to her temples) I don’t want to lose my identity yet!
COLE: What? (His face twists into confusion.) Lose your identity? What are you talking about? (She turns away from him. He walks up behind her and puts his hands on her bare shoulders.) Is that really what you think I’m trying to do? (PHOEBE starts to whimper and COLE turns her to face him.) Why would you think that? What would ever make you think that you could lose yourself by marrying someone? (He wipes her eyes cheeks.) Look at Piper, she was still Piper after she married Leo, right?
(PHOEBE sniffs.)
PHOEBE: That’s different.
COLE: How?
PHOEBE: Because Piper was born to be a wife and mother. (Her eyes move to the ceiling and she blinks.) And I don’t mean that in a bad way, it’s just that…Piper’s always been the mothering type. Prue may have been our mother substitute in the sense that she devoted her life to raising and protecting us, but Piper was always the nurturing one. But me, (she shrugs) I’ve always had my freedom.
COLE: And you think I want to take that away from you?
PHOEBE: No…I just…I think about what happened to Grams it scares me. (She bites her lip.) I know she and I are a lot alike, and I grew up hearing about how every time she thought she was in love and got married, she felt trapped and-and I just don’t want history to repeat itself, you know?
BREAK