6x03: Change The Channel

[The Virtual Series]

CHARMED: RESET REALITY (A new Alternate Universe series brought to you by Daniel, 4Ever, Drama, Xenith, and a host of others!)

STARRING:



SHANNEN DOHERTY...Prue Halliwell
HOLLY MARIE COMBS...Piper Halliwell
ALYSSA MILANO...Phoebe Halliwell
ROSE McGOWAN...Paige Matthews

CO-STARRING:



BRIAN KRAUSE...Leo Wyatt
DORIAN GREGORY...Darryl Morris

CHARMED: RESET REALITY is a concept conceived and copyrighted by Daniel Taylor and cannot be copied without his permission.

Based on the television show "Charmed" created by Constance Burge and featuring characters created by her and Brad Kern.

DISCLAIMER: This is a work of fiction. If we owned Charmed, the last few seasons would be more like this! All characters and locations are fictitious or are used fictitiously. We only own the characters listed as "Original characters" within the credits. All others are products of the old WB and the new CW and belong to them and Aaron Spelling Productions. This work was not written for sale and is meant only to be read by visitors to websites for the fans of the television show, Charmed.

6.03 CHANGE THE CHANNEL

GUEST-STARRING:
JAMES READ
JESSE WOODROW
CHELSEA BRUMMET
BRUCE PAYNE
SAMMI HANRATTY
TERRY ANZUR

Script written by...CAMILLE (FOUREVER CHARMED)

Script edited by...DRAMA (ASSASSIN WITCH)

Script proofread by...CAMILLE (FOUREVER CHARMED), DRAMA (ASSASSIN WITCH), DTAYLOR (ASTRAL ECHO)

Executive Producer...DTAYLOR (ASTRAL ECHO)

Produced by...DRAMA, FOUREVER CHARMED, XENITH

Directed by...David Jackson

[The Virtual Series]

Change The Channel

Teaser

[Scene: Downtown San Francisco. The Pins Plaza. A blue bowling ball rolls down a center lane and slams into center pin, knocking all ten pins down. At the end of the lane, PRUE HALLIWELL jumps up excitedly. She spins around with a smug look on her face and claps her hands together and playfully slaps her hip as the television screen above the bowling lane shows an animation of a lightning bolt striking down pins as the ball hits.]

PRUE: Oh! (She sits down between PIPER HALLIWELL and PHOEBE HALLIWELL.) Who kicks ass?

(PHOEBE lightly hits PRUE’s arm.)

PHOEBE: (whispering) You are so using your powers!

(PRUE puts her hand to her lips in mock offense.)

PRUE: I am not!

PIPER: (suspiciously) Five strikes in a row? What do you call it?

(PRUE grins.)

PRUE: Talent.

(GLENN BELLAND hops up from his seat. He laces his fingers together and cracks his knuckles.)

GLENN: Well, the party’s over, (he grabs an orange bowling ball) you’re going down sister!

(PAIGE MATTHEWS grins.)

PAIGE: Ooh, Prue, you’re in trouble now!

(GLENN walks over to lane and positions himself at the line. PRUE raises an eyebrow.)

PRUE: And just what is that supposed to mean?

(GLENN rolls the bowling ball and a moment later, it makes a strike. PAIGE smirks as GLENN turns around, grinning mischievously.)

PAIGE: Glenn’s mom used to be on a bowling league when we were kids and she dragged him down to the bowling alley with her every other week.

GLENN: And just think, (he sits down across from PRUE) I was going to go easy on you guys.

(PRUE squints her eyes at GLENN.)

PRUE: Oh, it’s on minster, it’s on!

(LEO WYATT walks up with an armful of drinks and a plastic container of chips with melted cheese. He sets the chips and drinks on the table and takes a seat next to PIPER.)

LEO: What’d I miss?

(PIPER pats LEO’s leg.)

PIPER: Oh, nothing much, just Prue and Glenn about to do a little bowling throw down.

(PAIGE pats the table.)

PAIGE: Pheebs, (she points to the screen above the lane which has PHOEBE’s name lit up) it’s your turn! (PHOEBE gets up grabs a green bowling ball from the machine and takes her place at the lane line. At the table, PAIGE leans close to PRUE and PIPER.)

PAIGE: (whispering) I’m so glad to finally see her starting to enjoy herself again.

(PHOEBE’s ball strikes down all but two pins, on opposite sides of the lane. PHOEBE turns around with a frown.)

PHOEBE: Well, that figures, doesn’t it? (She grabs her ball as it is spit out of the machine and rolls it again, aiming for the left pin. The ball knocks down the pin. From her seat, PRUE discretely twitches her finger and the ball rolls to the side, knocking one pin which hits the other and knocks it over. PHOEBE spins around.) Did you just see that? That was crazy!

(PIPER pinches PRUE.)

PIPER: (whispering to PRUE) Yeah, almost like magic.

(PRUE forces a tight smile.)

PRUE: Awesome spare, Pheebs!

(PHOEBE smiles weakly.)

PHOEBE: Thanks. (pause) I’m going to go find the restroom. (She walks off. PAIGE sighs.)

PAIGE: Guess I spoke too soon.

[Cut to the women’s restroom. PHOEBE pushes the door open and goose bumps spread across her skin and she momentarily freezes. Once she recovers, she spots a young woman on the floor of the bathroom, convulsing. PHOEBE gasps and drops to her knees.]

PHOEBE: Oh my god! (PHOEBE places her hand on the woman’s head and the woman’s eyes roll back in her head. She goes limp.) Oh no. No, no, no! (She tilts the woman’s head back and begins chest compressions.) Wake up, stay with me! (A second woman walks through the door and stops as she sees PHOEBE performing CPR. PHOEBE looks up frantically.) Call nine-one-one!

Clickable Credits.

[The Virtual Series]

{SCENE: The song “Ghost,” written by Emily Saliers and sung by Indigo Girls, is heard as stock shots of San Francisco are shown while the Guest Credits are rolled.}

Act One

[Scene: Downtown San Francisco. The Pins Plaza. Parking lot. Paramedics are loading the woman PHOEBE found in the bathroom into the back of an ambulance. PHOEBE is standing on the sidewalk surrounded by her sisters, LEO, and GLENN. The ambulance speeds off.]

PAIGE: It’s a good thing you were there, Pheebs.

(PHOEBE stares at the parking lot without answering. PRUE pats PHOEBE’s back.)

PRUE: I think we should probably cut the game short tonight. (She wraps her arm around PHOEBE’s shoulders.) Come on, sweetie, you can ride home with me. (to PAIGE) I guess we’ll see you later then?

(PAIGE nods. PIPER gives PHOEBE a quick hug and then PHOEBE and PRUE head off towards PRUE’s car. PAIGE, GLENN, PIPER, and LEO stare awkwardly at each other.)

LEO: We should probably get going too. We still have to pick up the kids from Victor’s.

PIPER: Do you and Glenn want to stay and finish the round?

(PAIGE and GLENN look at each other and then shake their heads.)

GLENN: No, I’m suddenly not feeling as pumped as I was earlier.

PAIGE: Me too.

PIPER: Well, this sure is a great way to end the night. (She sighs.) I guess we’ll see you guys later. (PAIGE and PIPER exchange a quick hug.)

LEO: Bye.

(GLENN nods.)

GLENN: See ya.

(LEO slips his arm around PIPER’s waist and they walk off. PAIGE and GLENN head into the parking lot, walking in the other direction.)

[Scene: Inside Prue’s black BMW X5. PRUE is driving, while PHOEBE is leaning her head against the window, staring blankly at the cars passing by.]

PRUE: You okay? (Silence.) Phoebe?

PHOEBE: (quietly) What if she dies?

(PRUE turns her head around.)

PRUE: She won’t.

PHOEBE: You don’t know that.

PRUE: You were meant to walk in there and find her. (pause) You heard the paramedics, they had her stabilized. You got there just in time.

(PHOEBE closes her eyes and touches her hand to her forehead. She exhales quietly.)

PRUE: Do you want to stop by the hospital?

(PHOEBE looks up.)

PHOEBE: Yes.

(PRUE turns the car around.)

PRUE: Alright. (She glances at PHOEBE from the corner of her eye.) It’s all going to be fine, you’ll see.

[Scene: Inside Paige’s lime green VW Bug. A ringing begins to sound from PAIGE’s cell phone as she’s driving. PAIGE reaches over to her purse and tries to dig inside, but GLENN grabs it away.]

GLENN: Eyes on the road, I got it. (He pulls out her phone, flips it open, and hands it to her.)

PAIGE: Hello? (She looks surprised.) Mr. Cowan? (GLENN leans forward curiously.) There’s nobody else? (As she listens, she exhales.) Yes, of course. I’ll be right there. (She flips her phone closed.)

GLENN: What’re they doing calling you on your night off?

PAIGE: Cowan says he’s short staffed tonight. (She turns the corner.) Apparently I need to make a stop at Bay General, it looks like there may be a case of child abuse and social services has been called in. (She eyes her boyfriend.) Do you want me to drop you off?

GLENN: It’s kind of the other way.

PAIGE: Well, you know me, that’s not exactly a problem.

(GLENN shakes his head.)

GLENN: I don’t have a problem tagging along.

PAIGE: Are you sure? It could take a while.

GLENN: Yeah, no problem. When duty calls, it calls.

[Scene: Victor’s apartment. Hallway. VICTOR BENNETT is walking down the lit hallway with a baby bottle in his hands. He turns the door knob on the spare bedroom and begins to push the door open.]

VICTOR: It sounds like you didn’t need a bottle after all.

(VICTOR halts as he sees a demon dressed in black hovering over the Twins’ blue force field, which is encompassing their playpen. The sound of the CHRIS HALLIWELL and MELINDA HALLIWELL's crying is ear piercing. The black clad man turns to look at VICTORr, revealing a crystal wand in his left hand. VICTOR suddenly hurls the bottle at the man, pelting him in the shoulder. He runs at him, but the man disappears and VICTOR runs into the force field. Several moments later, the force field comes down. VICTOR leans over and scoops the Twins into his arms, desperately attempting to comfort them.)

[Scene: Bay General Hospital. Room #1050. PRUE and PHOEBE walk up. PRUE lightly knocks on the door and when nobody answers, she jiggles the handle and opens the door. The woman PHOEBE found in the bathroom is lying on the bed, with an oxygen tube in her nose. PHOEBE and PRUE walk in.]

PRUE: Ms. Fryce?

(MILIANI FRYCE weakly raises her hand towards PHOEBE.)

MILIANI: You…you saved me.

PHOEBE: Yeah, (she walks over to the bed) uh…how are you feeling?

(MILIANI breaks eye contact with PHOEBE.)

MILIANI: I don’t think it really matters.

(PRUE narrows her eyes.)

PRUE: (suspiciously) What do you mean by that?

(MILIANI rocks her head from side to side against her pink sheeted pillow.)

MILIANI: You wouldn’t understand.

(PRUE and PHOEBE share looks. PRUE pulls up a chair and sits down.)

PRUE: The doctors said it was a severe asthma attack. (MILIANI laughs bitterly.) I take it you don’t believe this?

MILIANI: I’ve never had asthma Ms…

PRUE: Halliwell. Prue Halliwell. (She motions to PHOEBE.) And that’s my sister, Phoebe.

(MILIANI moves her head in an attempt to nod. She tries to hold her hand out to PHOEBE.)

MILIANI: My name’s Miliani.

PRUE: Miliani. (She nods.) So, about your asthma…or lack thereof?

(MILIANI squints.)

MILIANI: Why does it matter so much to you?

PRUE: Let’s just say we have an invested interest in people’s welfare.

(MILIANI turns her head to see PHOEBE, who is staring at her in odd silence.)

MILIANI: Is something wrong?

(PHOEBE is staring at MILIANI in odd silence.)

PRUE: Phoebe?

PHOEBE: If asthma didn’t cause your attack, what did?

(MILIANI examines PHOEBE’s face.)

MILIANI: Do you believe in ghosts, Ms. Halliwell?

[Cut to the reception desk. PAIGE flashes her I.D. at the RECEPTIONIST.]

PAIGE: Paige Matthews for South Bay Social Services, I need the room number for Avery Ellis.

(The RECEPTIONIST eyes GLENN.)

RECEPTIONIST: And you are?

GLENN: Glenn.

RECEPTIONIST: Are you not with social services?

PAIGE: No, he’s not.

RECEPTIONIST: Then he has to wait out here.

(GLENN glares.)

GLENN: Fine.

PAIGE: I’ll try to hurry.

(GLENN sits down in the waiting room. Once he’s out of earshot, the RECEPTIONIST directs PAIGE in the direction of AVERY ELLIS's room.)

[Scene: Outside Victor’s apartment. PIPER and LEO walk up. LEO knocks on the door, but there’s no answer. LEO knocks again, louder. When they still don’t get an answer, PIPER knocks.]

PIPER: Dad! It’s Piper! Open the door!

(There’s a clicking noise as the door unlocks. The door opens, revealing VICTOR. PIPER immediately notices the look on her father’s face.)

PIPER: Dad, what’s wrong?

(VICTOR ushers PIPER and LEO in. In the middle of the living room, the Twins’ playpen has been moved there.)

VICTOR: I just caught a demon trying to get through the Twins’ shield.

PIPER: (shocked) What?! (She jets over to the playpen.) Are they alright? What happened?

(LEO moves to PIPER’s side. He picks up MELINDA while PIPER scoops CHRIS into her arms. VICTOR shakes his head.)

VICTOR: I don’t know. I just walked in and there he was.

LEO: Did he have any distinguishing features?

VICTOR: He was wearing black clothes, but other than that, he looked normal.

(PIPER cradles CHRIS to her chest. VICTOR raises his finger.)

VICTOR: Wait, there was something else.

PIPER: (anxiously) What?

VICTOR: He had something in his hand. (pause) It looked like crystal.

LEO: Crystal?

VICTOR: Like a…a wand or something.

[Scene: Bay General Hospital. Avery Ellis’s room. AVERY is seated on the bed, dressed in a pale blue hospital gown. She has her hands in her lap. PAIGE walks in. AVERY looks up and PAIGE gives her a warm smile.]

PAIGE: Hi, you must be Avery. (AVERY nods. PAIGE holds out her hand.) I’m Paige. (AVERY tentatively shakes her hand. PAIGE points to the bed.) Do you mind if I sit down? (AVERY shakes her head, so PAIGE takes a seat next to her.) So Avery…why are you at the hospital?

(AVERY pulls up the sleeve on her gown, revealing a freshly formed bruise just below her shoulder. PAIGE’s eyes darken a little.)

PAIGE: How did you get that? (AVERY looks at the floor.) Did someone do that to you, Avery?

(AVERY just stares stoically at the floor. PAIGE lightly touches the girl’s hand, but AVERY flinches. PAIGE sighs and gets off the bed.)

PAIGE: Avery, I’m going to step outside for a few minutes, but I’ll be right back. (She walks into the hallway and shuts the door, where she finds BOB COWAN waiting for her outside.)

MR. COWAN: She refuses to talk to anyone.

PAIGE: And you think her father did this to her?

(MR. COWAN hands her AVERY’s medical file.)

MR. COWAN: We’re thinking Munchausen’s by proxy.

(PAIGE opens the folder and begins to look at the various compiled pictures and medical records.)

MR. COWAN: Her father’s been bringing her in almost like clockwork beginning a month after her mother died, which was six months ago.

(PAIGE rubs her chin.)

PAIGE: Have we secured a temporary foster family yet?

(MR. COWAN nods. He hands PAIGE a computer printout.)

MR. COWAN: Lori and Quen Snyder. They have a history of handling abuse cases.

(PAIGE nods and takes the printout.)

PAIGE: Okay, I’ll take her over tonight and then I’ll make an appointment to talk with the father tomorrow morning. (She tucks the Snyders’ printout into AVERY’s medical file.)

MR. COWAN: Thanks, Paige. (He looks at his watch.) Okay, now that you’ve got this under control, I’ve gotta go. There’s another case I have to get to at San Francisco Memorial. (He leaves. PAIGE tucks AVERY’s file under her arm and walks back into the room.)

BREAK

[The Virtual Series]

Act Two

[Scene: Bay General Hospital. Miliani’s room. PHOEBE is sitting next to MILIANI’s bed, while PRUE is standing near by.]

PRUE: A Medium?

(MILIANI nods.)

MILIANI: I know there’s a stigma attached to Mediums, but I promise I’m not trying to con you here. I can literally open psychic channels of communication between our physical world and the spiritual world.

PRUE: Like a human Ouija board?

MILIANI: That’s one way of putting it. (She gauges PRUE’s and PHOEBE’s expressions.) You don’t seem surprised by this. (PHOEBE and PRUE exchange looks.) Are you both…psychics too?

PRUE: Actually-

PHOEBE: I am. (pause) Miliani, when I walked into the bathroom tonight, I felt a chill, like ice all over my skin.

(MILIANI nods.)

MILIANI: That would be Sebastian.

PRUE: Who’s Sebastian?

MILIANI: A rage filled spirit that I accidentally channeled during a session.

PRUE: What kind of session?

MILIANI: (sarcastically) What kind of session do you think? (She looks between the Halliwell sisters.) It was a séance, Ms. Halliwell.

[Scene: Manor. Attic. LEO and VICTOR are standing at the Book of Shadows. LEO turns the page and VICTOR shakes his head. Near the old sofa, the Twins’ portable playpen is seated. MELINDA is inside, sleeping. PIPER walks in with CHRIS on her hip, feeding him a bottle and a cell phone tucked between her ear and her shoulder. LEO walks over to PIPER and takes CHRIS and his bottle. PIPER hangs up her phone and sets it on the table.]

PIPER: I can’t get a hold of Prue and Phoebe, but Paige answered and she’ll be here after she drops off a child at a foster family. (to VICTOR) Have you found the demon yet?

(VICTOR turns the page.)

VICTOR: I haven’t seen anyone even close yet.

[Scene: Inside Paige’s VW Bug. PAIGE is driving, while GLENN is seated in the back seat with AVERY. AVERY is clutching a toy alligator to her chest. GLENN points to the alligator.]

GLENN: That’s a pretty cool crocodile you’ve got there.

AVERY: She’s not a crocodile, she’s an alligator.

GLENN: Really? How do you know?

(AVERY holds up her toy alligator.)

AVERY: Crocodiles have long noses, but Allie has a short and fat one.

GLENN: Oh, I see. (pause) Where’d you get Allie?

AVERY: My mommy.

(PAIGE eyes GLENN and AVERY from the rear view mirror. GLENN catches her and winks.)

GLENN: Why did your mommy give you an alligator? I always thought alligators were supposed to be scary.

AVERY: So are bears, but lotsa people have teddy bears.

(GLENN nods, impressed.)

GLENN: You’re right, I never thought of it that way.

(AVERY pets her alligator.)

AVERY: Mommy said Allie is supposed to protect me.

GLENN: Protect you? From what?

(AVERY hugs her alligator.)

AVERY: Bad things.

(The car stops.)

PAIGE: We’re here. (She gets out and opens the back door. AVERY unbuckles her seatbelt and PAIGE helps her out of the back seat.)

GLENN: It was nice meeting you, Avery!

(GLENN waves. AVERY nods, managing a meek smile back at him. He gets out of the car and opens up the front passenger door, but before climbing inside, he watches as PAIGE walks AVERY up the front walk and up to the door.)

[Scene: Bay General Hospital. Hallway. PRUE and PHOEBE are walking. PRUE is shaking her head.]

PRUE: A Medium, I shouldn’t be surprised. (She glances at her sister.) Are we in the supernatural yellow pages or something?

(PHOEBE looks down at a piece of paper clutched between her fingers. “Sebastian Xavier” is scrawled across it.)

PHOEBE: When we get home, I’ll look up his burial plot on the online database.

(PRUE grabs PHOEBE by the arm, stopping them.)

PRUE: You’ve been acting standoffish all night, Phoebe. What’s wrong? (PHOEBE refuses to meet PRUE’s eyes.) Is this still about Cole? (PHOEBE doesn’t answer. PRUE lets go of her sister’s arm.) Look, I know what you’re going through, but you have to want to feel better before you actually can. (pause) I thought you were trying-

PHOEBE: I was - am - but…it’s just so hard. (pause) And then this (she flicks her wrist down the hall) happened and everything just…came back. Cole, Daniel…I know it’s not the same, but-

(PRUE hugs PHOEBE.)

PRUE: I know. (She strokes PHOEBE’s hair.) But you’ll get through it, I promise. (She gives PHOEBE’s arm a comforting squeeze.) And Piper, Paige, and I will always be here when you need us.

(PHOEBE managed a weak smile.)

PHOEBE: Thanks, Prue.

(PRUE wraps her arm around PHOEBE’s shoulders.)

PRUE: C’mon, let’s get home and finish saving your innocent.

[Scene: Manor. Entry way. PAIGE walks in.]

PAIGE: Piper! (She hangs up her coat on the coat rack.) I’m here! (She heads for the stairs, only for PIPER to appear at the top of the stairs.)

PIPER: Thank goodness, (PAIGE walks up the stairs) I’ve left about a million messages between Prue and Phoebe, but they still aren’t answering. (They head for the attic.)

PAIGE: Have you identified the demon yet?

PIPER: No. (They walk into the attic to find VICTOR still looking through the Book of Shadows.) Dad says there wasn’t anything specific about him other than he had what he thinks was a wand.

(PAIGE bites her lip.)

PAIGE: (to VICTOR) Do you think you could describe him to me?

(VICTOR shrugs.)

VICTOR: I guess.

(PAIGE motions her hand.)

PAIGE: (to VICTOR) Follow me. (to PIPER) You guys look in the Book for anything you can find on magical wands.

(PAIGE leaves. VICTOR looks back at his daughter and son-in-law, the latter of whom shrugs. VICTOR also leaves.)

LEO: What do you think she’s got in mind?

(PIPER shakes her head, then waves her hand emphatically at the Book.)

PIPER: Well, you heard her, look up wands.

[Cut to Paige’s bedroom. PAIGE walks in and moves to her dresser, where she pulls out a writing tablet and charcoal pencil. VICTOR walks in.]

VICTOR: So, what are we supposed to be doing?

(PAIGE takes a seat on her bed and smoothes out the bright blue comforter.)

PAIGE: Take a seat. (VICTOR sits down.) You are going to describe this demon to me and I am going to draw him.

VICTOR: And how is that supposed to help us if we can’t identify him in the Book of Shadows?

PAIGE: I’m going to have Leo take this up to The Elders if we haven’t found him by then to see if They might be able to identify him.

VICTOR: And if They can’t?

PAIGE: Then at least the rest of us will know what this guy looks like. (VICTOR looks unconvinced.) Hey, it’s a start, okay? (She tapes the writing tablet with the end of her charcoal pencil.) Alright, spit spot, I need that description…

[Scene: Ceremonial chamber. Dual, corroded Corinthian columns have been placed in a large circle, with stone steps leading down into a shallow pit with a stone altar at the center. In the pit surrounding the altar, are a group of black robed men with their heads bowed in reverence as their priest, who is dressed in a blood colored cloak and holding a crystal wand out to the altar. As the crystal point touches the altar, a glowing blue beam springs up, revealing a rotating hologram of CHRIS and MELINDA, side-by-side with their fists touching, in their playpen, protected by their force field. MEMBER #1, the same man who was at VICTOR’s apartment, lifts his head to speak.]

MEMBER #1: The sister provides a strong link to the side of good.

PRIEST: Which is why she’ll make the ideal sacrifice.

MEMBER #2: So, then you believe that it’s true? We’ve finally found Him?

PRIEST: In His old life, He sacrificed His own blood to prove His loyalty to us. I believe that He chose this body to be born again so that He could renew His oath.

MEMBER #1: With all do respect, Your Eminence, if this is truly Him, then why do the child’s loyalties lie in good magic?

PRIEST: He’s been infected with all the goodness surrounds Him - it smothers Him - which is precisely why we must help Him to return to us.

MEMBER #3: How? We’ve performed ceremonies vigilantly for a month and gotten nowhere. To make matters worse, the witches are now onto us. We won’t be able to get near Him.

PRIEST: We need someone they know. (He touches the altar with the tip of the wand again. A hologram of TRICIA BEATUS appears.) Someone they trust. (He taps the altar again and DR. AVA NICOLAE’s hologram appears.) A person they would trust their child’s life with. (He taps the altar a third time and a hologram of DARRYL MORRIS forms.) We need him.

[Time lapse. PRUE and PHOEBE walk in to find PIPER and LEO at the Book of Shadows. PRUE narrows her eyes.]

PRUE: Uh, hey. (She waves her hand.) No offense, but why are you two here? (She motions to the Book.) And with the Book of Shadows no less.

PIPER: Well, if you two would turn your phones on, you might know. (She motions to the playpen.) The Twins were attacked at Dad’s tonight.

(PRUE and PHOEBE share looks.)

PRUE: You think it’s related?

(LEO looks alarmed.)

LEO: What’s related?

PHOEBE: We went to the hospital to see the woman I found in the bathroom.

PRUE: It turns out she’s a Medium who she believes is being haunted by an angry spirit.

(PIPER shakes her head.)

PIPER: It was a corporeal demon that was after the Twins.

LEO: A vengeful spirit and an attack on Chris and Melinda? (He shakes his head.) The MO doesn’t quite fit.

PHOEBE: Unless the spirit is trying to get back at me for saving Miliani.

PRUE: But then why not be corporeal when attacking her? (She shakes her head.) It sounds like we’ve got two separate incidents on our hands.

PHOEBE: (to LEO) I think it’d be wise for you to check with The Elders anyway.

(LEO nods. At that moment, PAIGE and VICTOR walk in.)

PAIGE: I think we’re done. (She holds up her sketch.)

PIPER: And just in time, Leo was just going to orb Up There.

PAIGE: So, no luck with the Book?

PIPER: No, (she motions to PRUE and PHOEBE) but apparently Phoebe’s innocent at the bowling alley is someone in need of magical protection.

PAIGEe: (shocked) What? (She hands the sketch to LEO.) I thought it was just an asthma attack.

PRUE: So did we, until we checked up on her.

(VICTOR holds up his hands.)

VICTOR: Wait a minute, can someone stop and please tell me what’s going on?

(LEO waves his hand.)

LEO: I’m gonna take this Up There now, but while I’m gone, (he waves his hand) I think you guys need to have a family meeting. (He briefly kisses PIPER and orbs out. PAIGE claps her hands together.)

PAIGE: Alright, who wants to go first?

BREAK

[The Virtual Series]

Act Three

[Scene: Manor. Attic. The early morning sunlight is filtering in through the attic’s stained glass windows and creating blocks of colored light on PAIGE, who is seated at the circular table, slumped over on the Book of Shadows. PIPER walks in with CHRIS on her hip.]

PIPER: Paige? (She walks over to her sister and touches PAIGE’s shoulder.) Paige? (She lightly shakes PAIGE, who jumps up.)

PAIGE: Where’s the demon?!

PIPER: No, sweetie, you fell asleep.

(PAIGE looks around and blinks. She notices that it’s light outside.)

PAIGE: Oh no, it’s morning? (PIPER nods. PAIGE looks at her watch.) Oh! (She jumps up.) Crap, I have to go!

PIPER: Go? What are you talking about? What about-

PAIGE: I have a meeting with the father of a potential abuse case I was assigned to last night.

PIPER: But you can’t go. We haven’t figured out what’s after the Twins yet!

PAIGE: Leo isn’t back yet?

PIPER: No, but-

(PAIGE moves towards the door as PRUE walks in. PRUE notices PAIGE’s rush.)

PRUE: Where’s the fire?

PIPER: Paige wants to go to work.

PRUE: And?

PIPER: And my children need protection!

PRUE: (calmly) Piper, Leo’s not even back yet. Until he is, we can’t do anything anyway. (to PAIGE) I think you should go to work-

PIPER: Prue!

PRUE: Look, Phoebe and I are here right now. We’re not going to let anyone or anything near Chris or Melinda. (pause) I think Paige should do what she needs to do now and once Leo gets back, we’ll call Paige and fill her in. She is, after all, only an orb away.

(PAIGE nods.)

PAIGE: Thank you.

(After a tense look, PIPER finally looks away. PAIGE walks over to PIPER and gives CHRIS a quick kiss on the head.)

PAIGE: I promise I’m not going to let anything happen to my favorite nephew, (she lifts her eyes to meet PIPER’s) but I’ve also got my own charges, and unlike Chris and Melinda, I’m the only person they have on their side.

(PIPER nods. PAIGE orbs out. PRUE looks at her sister and motions her hand. PIPER sighs and walks over to PRUE and they walk out together.)

[Cut to the kitchen. VICTOR is walking around the kitchen with his granddaughter in his arms, feeding her a bottle. PHOEBE is seated at the table with her glasses on, nibbling on an apple cinnamon muffin as she works on her laptop.]

VICTOR: You’ve got the guy’s name, shouldn’t finding his grave be easy with all those online search databases?

(PHOEBE shakes her head as she pops another piece of her muffin into her mouth and swallows.)

PHOEBE: Apparently there are more cemeteries in San Francisco than I realized. (She reaches for a glass of milk and takes a swig.)

VICTOR: But you’ve been searching all night.

PHOEBE: Me and the coffee maker are well aware of that. (She looks over her shoulder to see that the coffee maker is on, but the pot is only half full. She adjusts her glasses as she turns her eyes back to the screen. PIPER and PRUE walk in.)

PRUE: How goes the search?

PHOEBE: Fruitless. (She holds up her muffin.) As is this muffin. (to PIPER) Have I ever told you much store bought makes me miss your homemade breakfasts?

(PIPER smiles.)

PIPER: I take it you want me to whip up something for you?

(PHOEBE smiles.)

PHOEBE: Would you?

(PIPER hands CHRIS to PRUE.)

PIPER: Well, since I’m already here…

(PHOEBE claps her hands together.)

PHOEBE: Yay!

(PIPER moves to the sink to wash her hands.)

PIPER: Glad to see that it makes you happy, Pheebs.

[Scene: South Bay Social Services. Paige’s cubical. PAIGE is on the phone as LILA WRIGHT walks up as PAIGE hangs up the phone.]

LILA: Weren’t you wearing that yesterday? (PAIGE jumps as spins around in her chair.) Sorry.

PAIGE: It’s fine. (She blinks tiredly. LILA smirks.)

LILA: Long night?

PAIGE: (sourly) Not the kind you think.

(LILA hands PAIGE a two page stapled printout.)

LILA: Here’s the copy you asked for.

PAIGE: Thanks. (She sets it on her desk.)

LILA: So, what’s got you down?

(PAIGE shakes her head.)

PAIGE: Family stuff. (She grabs a hot pink sticky note pad and pulls off the top note, which has an address scribbled on it, and sticks it onto the printout LILA gave her.)

LILA: Your family sure has issues.

PAIGE: Tell me about it. (She gets up.) Well, I’ve gotta go.

MR. COWAN's VOICE: Matthews!

(PAIGE cringes.)

PAIGE: Tell him I’m already gone. (She grabs her printout and ducks as she sneaks out of her cubical.)

[Scene: Manor. Kitchen. PIPER is whisking up a bowl of pancake batter. She stops, taps the whisk on the side of the bowl three times to get the excess batter off, and then discards the whisk on a small plate. She moves around the island to a cutting board where banana slices have been diced up and uses the flat edge of her knife to scrape them into the bowl of batter. A moment later, she grabs a leveled cup of chopped walnuts and also pours them into the bowl, then takes a fork and begins to fold the banana and walnuts into the batter. At the table, PHOEBE sniffs the air.]

PHOEBE: That banana is makin’ me hungry! (Her stomach growls.) It’s been so long since I’ve tasted your homemade banana bread pancakes. (She shakes her head.) You don’t even need syrup for those ones.

(PIPER positions the bowl of batter over a sizzling pan on the stove and begins to poor the mixture in.)

PHOEBE: Aha! (PIPER looks up.) I got it! (She grabs a notepad and scribbles down the address. PIPER finished pouring three circles of batter into her pan and sets the remaining batter aside. PIPER walks in.)

PRUE: Did I just hear what I think I heard?

(PHOEBE nods excitedly and holds up the plot number for SEBASTIAN’s grave.)

PHOEBE: Is the potion ready?

PRUE: Has been since five this morning.

(PHOEBE rubs her palms together.)

PHOEBE: Good. (She shuts down her laptop. LEO orbs in.)

PIPER: Finally! What did The Elders say? (She looks at him expectantly.) Hopefully something.

LEO: They do believe They know who this is. (He holds up PAIGE’s sketch.) They think he’s a member of a demonic cult called The Order. They used to rival The Brotherhood of the Thorn about two hundred years ago, until their leader was vanquished by a coven of witches.

PRUE: And now they’re regrouping?

LEO: Not exactly. (pause) Without their leader, the members began to scatter and look for safety elsewhere, but a handful of loyal Order members went into hiding…waiting for their leader to return.

PHOEBE: Return how?

LEO: Before he was vanquished, he vowed to be reborn in order to come back and reclaim his leadership of The Order.

PRUE: And so why do they want the Twins?

LEO: The Elders don’t think they want the Twins, They think The Order wants Chris.

(PIPER’s mouth drops open.)

PIPER: They think he’s the reincarnation of their demonic master?

(LEO nods.)

PHOEBE: That’s absurd! Why Chris, of all people? He’s half whitelighter for crying out loud! That makes him half angel, not a demon.

LEO: But he’s a twin. According to legend, so was the founder of The Order, and to prove his loyalty to his members, he spilled the blood of his sister. It became part of The Order’s initiation ritual.

PIPER: (furiously) How do we vanquish them?

LEO: The regular members can be vanquished with strong potions, but their Priest, he’s ranked second after the Master, has to be killed with his own scepter.

PHOEBE: Scepter? Would that happen to be a crystal scepter?

LEO: Yes.

PRUE: That’s probably what Dad saw the demon using on the force field.

PHOEBE: So, I guess now we have to figure out how to find them. (She gets up.) I’ll go get the scrying crystal.

PRUE: And I’ll start with the Book. (She and PHOEBE leave. PIPER dusts her hands on her apron.)

PIPER: And I guess I will call Paige. (She grabs the cordless phone.)

LEO: Alright… (He glances at the pancakes, which are starting to burn. He grabs the spatula and flips them over.) This isn’t exactly my forte…

[Scene: 1905 Ulma Circle. PAIGE is standing on the porch of a pale mint colored house. She knocks on door and smoothes her hair as she’s waiting. The door opens, revealing a middle aged man with tussled brown hair and tired, sagging eyes.]

PAIGE: Mr. Ellis?

(The man nods.)

MR. ELLIS: Are you the social worker?

PAIGE: Yes, my name’s Paige Matthews, we spoke earlier on the phone. (She glances past him.) May I come in?

(MR. ELLIS steps aside, allowing PAIGE entrance into his home.)

MR. ELLIS: I didn’t hurt my daughter. (He shuts the door. PAIGE ignores the remark and continues to calmly examine her surroundings.)

PAIGE: How have things been since your wife died?

MR. ELLIS: (bitterly) How do you think they’ve been?

PAIGE: Has Avery been affected?

MR. ELLIS: I can’t believe you’re even asking this crap!

PAIGE: Mr. Ellis, if you can’t answer my questions, I can’t help you.

MR. ELLIS: Help me? You took my child away!

PAIGE: You’ve routinely taken her to the hospital since your wife passed away and the incidents have all been treatable, though they’ve gotten progressively more severe. Why?

MR. ELLIS: She was hurt.

PAIGE: How, Mr. Ellis?

(MR. ELLIS places his hands to the sides of his head.)

PAIGE: Please, if this is not a case of abuse, I need to know how Avery became injured.

(MR. ELLIS heaves a sigh.)

MR. ELLIS: It started out with small stuff. The first time, she’d just been trying to get a glass of milk and she dropped it and cut her hand trying to clean it up. Then a few weeks later, she slipped off a chair while trying to get a box of cereal on the top of the refrigerator. (He rubs his forehead.) And after that, one of the shelves of books above her bed collapsed during the night. (He looks PAIGE right in the eyes. His expression is one of defeat.) It’s been this string of accidents, one right after another, after another, after another!

PAIGE: What about the most recent injury?

(MR. ELLIS shakes his head.)

MR. ELLIS: I don’t know, exactly. I woke up to the sound of her screaming so I ran to her room and found her on the floor, kicking and pounding her elbows. I picked her up and she was fighting against me, so I tried to hold her still until she stopped.

PAIGE: And why did you take her to the hospital?

MR. ELLIS: She had all these bruises, (he shakes his head bewilderedly) I guess it was from her fit on the floor. I didn’t know what caused it, but I thought maybe it was some kind of mental trauma and I didn’t want her to hurt herself again.

PAIGE: Why do you think she’d have mental trauma? Has she had fits like this before?

MR. ELLIS: No…it’s all been since Dora died. I started thinking that maybe all the accidents…maybe they weren’t accidents. Maybe she’s been doing these things to herself? (He runs his fingers through his messy hair.) But I can’t figure out why. (He suddenly grabs PAIGE's hand.) Please, you have to help me! I already lost my wife; I can’t lose my daughter too!

BREAK

[The Virtual Series]

Act Four

[Scene: Manor. Sunroom. PHOEBE, VICTOR, and the playpen containing the Twins are there. PHOEBE is sitting in a white whicker chair, hunched over the matching table as she swings the scrying crystal over a map. A plate of pancakes and a cup of coffee are sitting beside the map. Meanwhile, VICTOR is seated next to the Twins’ portable playpen with his own plate of pancakes and syrup.]

VICTOR: Maybe they’re not in San Francisco?

PHOEBE: Or maybe I just don’t have something strong enough to guide me to them.

VICTOR: It still couldn’t hurt to try a world map.

(PHOEBE groans.)

PHOEBE: I guess you’re right. (She sets the crystal down and grabs a pancake from the three stacked on her plate.) I’ll be right back. (She walks out. VICTOR glances at his grandchildren. He stabs a slice of syrupy banana bread pancake and eats it.)

VICTOR: You guys are in for a real treat when you can start eating real food. (Suddenly, DARRYL walks in with a large box in his arms. VICTOR looks surprised.) What are you doing here?

(DARRYL motions his hand.)

DARRYL: Uh, Prue let me in.

(VICTOR scrunches up his face.)

VICTOR: Oh, I guess I didn’t hear the door. (He eyes the box.) What’s that? (He focuses on DARRYL and doesn’t notice the Twins’ force field spring up around the playpen.)

DARRYL: Oh, this (he opens the box) it’s for Chris.

(DARRYL suddenly pulls the crystal scepter out of the box and points it at VICTOR. VICTOR’s eyes enlarge as a pink beam hits him in the chest, knocking him backwards in his seat and creating a painful burn mark where the beam hit. DARRYL transforms into MEMBER #1 and moves to the force field where he begins to shine the pink beam from the scepter over the shield. The Twins begin to wail.)

PHOEBE's VOICE: Dad, what’s- (She walks in and immediately drops her world map.) Get away from them!

(PHOEBE spins and kicks the Order member with her heel. MEMBER #1 drops the scepter and is blasted him off his feet from the kick and onto the whicker table, which collapses under his weight. PRUE, PIPER, and LEO run in. PRUE motions her hand, telekinetically picking up the butter knife from the floor, which had been on the table with PHOEBE’s plate of pancakes, and sends it through the Order member’s neck. The Order member cries out in agony as he’s consumed in fire. PIPER notices VICTOR.)

PIPER: Oh my god, Dad!

(LEO moves to VICTOR and kneels down, healing him. PHOEBE sees the fallen scepter and goes to pick it up, only for it to vanish in a flash of light as she reaches for it.)

[Scene: Ceremonial chamber. Another flash of light appears in mid air, depositing the scepter. It falls into the hands of the PRIEST. He steps up to the stone altar and touches it with the tip of the crystal. Another blue beam appears, followed by another rotating hologram of CHRIS and MELINDA. The PRIEST studies it, then steps forward, reaching his hand tentatively into the blue light, slowly reaching for the hologram of CHRIS. He passes his hand through CHRIS’s face and a smile spread across the PRIEST’s lips.]

PRIEST: He’s ready to come home!

[Scene: Manor. Sunroom. VICTOR is now sitting next to PRUE on the double whicker chair where PHOEBE had been sitting before the attack. He keeps glancing at the spot where he was wounded. PIPER has CHRIS in her arms and is pacing the room anxiously, while PHOEBE is standing by the windows, holding MELINDA. LEO orbs in.]

LEO: Darryl’s fine, he said nobody out of the ordinary has approached him, Sheila, or the kids.

PIPER: Then how did he know to impersonate Darryl?

LEO: I’d guess that they’ve probably been spying on you somehow.

(PRUE nods.)

PRUE: Seeing who we trust and allow near the Twins. (She curls her fists angrily.) Outside the family, who do we trust more than Darryl?

(PIPER rubs her forehead.)

PIPER: That’s it! We have to get these bastards. They are not turning my son into a demon king and they sure as hell aren’t putting my daughter on a demonic chopping block! (She stands up and storms out of the room, holding CHRIS protectively to her chest. PHOEBE gets up.)

PHOEBE: I’ll go try Paige again. (She hands MELINDA to LEO and collects her maps and crystal before leaving.)

PRUE: I wish we could just send them Up There with you, (she glares at the ceiling) but that would be too easy! (She stands up.) You should probably go find Piper and stay close. We’ve been lucky that the Twins have been together during the attacks so far, because they’ve had their shield to protect them. We need to keep it that way.

LEO: You’re right. (He walks over to the playpen and lays a hand on the edge.) We’ll be in the attic. (He orbs out with the playpen. PRUE and VICTOR look at each other.)

VICTOR: I guess we should go help them then?

[Scene: 1509 Ulma Circle. PAIGE walks off the front porch. She’s reading handwritten notes she made during her interview with MR. ELLIS. She shakes her head and tucks the notes into her purse, then extracts her cell phone and powers it on. After the screen comes to life, “1 Missed Call” appears on the screen, followed by her voicemail icon. She presses her speed dial number one and “Talk,” then places the phone to her ear.]

VOICEMAIL VOICE: You have one new message. To hear this message, press one now.

(PAIGE clicks the one button.)

PHOEBE's VOICE: Paige, Leo just got back. He says a demonic cult is after Chris. Please get back here as fast as you can. Bye.

VOICEMAIL VOICE: If you would like to save this message- (A beeping sound interrupts the voice. PAIGE looks at her cell screen and “Incoming Call!” with the Manor’s number is blinking below it. PAIGE presses “Talk.”)

PAIGE: Hello?

PHOEBE's VOICE: Paige, it’s Phoebe. The Twins were just attacked again. We need you to get home right away.

[Cut to the Manor. PHOEBE puts the cordless phone into its charger as PAIGE orbs in. PHOEBE spins around.]

PHOEBE: That was quick.

PAIGE: I do pride myself in being so. (She sets her purse and AVERY’s file down on the kitchen table, next to PHOEBE’s reading glasses.) Okay, what do you need me to do?

PHOEBE: Well, we know who, why, and what is after the Twins, but we don’t know where. Prue is upstairs with Piper and Leo right now, trying to find a spell, while Piper has been vigorously concocting an arsenal of potions. (She moves to the table and reaches for her reading glasses. Her hand grazes AVERY’s file as she grabs them.)

[Premonition: AVERY is grabbing her own throat and screaming as she seemingly attempts to choke herself to death.]

[Cut back to the present. PHOEBE comes out of her premonition. PAIGE looks alarmed.]

PAIGE: What happened?

(PHOEBE picks up AVERY’s file and opens it, revealing the pictures of AVERY from the hospital, with the bruises on her body.)

PHOEBE: Who is this little girl?

PAIGE: My social case; suspected abuse. (She squints.) Did you have a vision of her?

PHOEBE: She was…trying to strangle herself.

PAIGE: (shocked) What? (She grabs the folder from PHOEBE.) Oh my god, then her father was telling the truth!

(A paper falls from the file and hits the ground. PHOEBE bends to pick it up and notices the name “Marvin Ellis” on it. She holds it up to her face.)

PHOEBE: Oh my god.

PAIGE: What now?

(PHOEBE stands up and waves the paper at PAIGE.)

PHOEBE: Get to the attic, (she snaps her fingers) and bring that file. (She leaves. PAIGE looks at the file and bolts after her sister.)

[Cut to the attic. PIPER is seated at the circular table. A load of potions are lined up in vials and PIPER is busily making more. PRUE is seated on the beat up sofa with the Book of Shadows in her lap. LEO is feeding CHRIS a bottle while VICTOR is knelt down on the floor with MELINDA, who is laying on a blanket as VICTOR uses a rattle to play with her. MELINDA emits an excited coo as she wiggles her arms and her brown eyes flick back and forth as they follow the rattle. PHOEBE bursts in.]

PHOEBE: We’ve got an even bigger problem than we thought. (PAIGE runs in.) Our angry spirit is after Paige’s latest case at South Bay.

PRUE, PIPER, & PAIGE: (shocked) What?

(PHOEBE holds up the paper from AVERY’s file.)

PHOEBE: (to PRUE) Marvin Ellis. That’s who Miliani said she performed her séance for when she accidentally channeled Sebastian. (She spins around to PAIGE.) Marvin’s wife died six months ago, right? (PAIGE slowly nods.) Then it’s definitely the same guy.

PAIGE: So, it was no coincidence that Cowan assigned Avery to me last night. (She touches her forehead.) But why would he want to hurt Avery and your innocent?

PRUE: We’ll probably need to talk to Miliani to find that out. She knows Sebastian better than we do, in a matter of speaking.

(PAIGE shakes her head.)

PAIGE: We should just end this now. You said you had a potion that would vanquish him, right? Let’s just use it. (to PHOEBE) Have you found his burial plot yet?

PHOEBE: Yes, but we can’t go until tonight.

PAIGE: Why not? We’ve got two innocents’ lives on the line!

PHOEBE: We can’t just go to the cemetery and start digging. It’s a crime and getting thrown in jail isn’t going to help us.

PRUE: And there’s too much of a risk of me using my powers in public. If anyone saw me lift a grave out of the ground with a wave of my hands, it could be disastrous.

PAIGE: So, we’re just supposed to wait until he kills two people and then vanquish his sorry ass? Prue, Phoebe just had a vision of Avery choking herself to death, and if there is some reason that this spirit wants Avery dead, then I’m guessing that whoever this Sebastian is, he’s all too literally possessing her to do it. (She shakes her head.) I’ve got to go get her. She’s not safe at her foster home.

PIPER: And she is safe here? Paige, we have an entire cult after my children. Bringing her here isn’t a better idea.

PAIGE: Okay, then tell me what is. (Silence. PAIGE throws up her hands.) I’m going then. (She starts to orb out when PHOEBE grabs her arm.)

PHOEBE: Take me with you.

PIPER: Phoebe! What about The Order?

PHOEBE: Miliani’s in danger too. I want to make sure she’s okay.

PRUE: (to PIPER) Let them go. I’ll stay here with you and the Twins. It shouldn’t take long. (to PAIGE and PHOEBE) Right?

(PAIGE and PHOEBE nod in confirmation. PIPER looks hesitant.)

PHOEBE: We’ll be back soon, I promise. (They orb out.)

[Scene: Lori and Quen Snyder’s home. PAIGE and PHOEBE orb in on the side of the home, behind a clump of bushes. PHOEBE pokes her head out, looks around, and waves her hand. They sneak out of the bushes, move up the walk away, and brush themselves off. PAIGE anxiously knocks on the door. A moment later, the door opens, revealing LORI SNYDER.]

LORI: (surprised) Ms. Matthews! We weren’t expecting to see you again so soon.

PAIGE: I wasn’t actually expecting to be here again so soon. (She chews her lip.) Unfortunately, something has come up, and I need to temporarily take Avery.

LORI: (worriedly) What is it?

(PAIGE shakes her head.)

PAIGE: I’m sorry, I can’t really discuss that, but I have reason to believe that she could be in danger.

(LORI looks a little uncomfortable, but nods nonetheless.)

LORI: She’s upstairs. (She sees PHOEBE.) Um, I’m sorry, who are you?

(PHOEBE holds out her hand.)

PHOEBE: Phoebe Halliwell, I’m-

PAIGE: Here to help me evaluate Avery. (LORI raises her eyebrows.) She has an area of expertise in psychology and she’s come with me to talk with Avery.

LORI: It’s nice to meet you, Ms. Halliwell.

PHOEBE: Likewise.

(They walk inside and follow LORI upstairs. LORI knocks on the second bedroom door.)

LORI: Avery, it’s Lori. Are you in there? (There’s no answer.) Avery?

(A scream sounds from the room. LORI pushes the door open to find AVERY grabbing her neck in an attempt to strangle herself. She gasps and runs to AVERY, desperately trying to pull the girl’s hands away from her neck.)

PHOEBE: (to LORI) Hold her down!

(LORI grabs AVERY around the waist, while PHOEBE and PAIGE attempt to pull AVERY’s hands away from her throat.)

PAIGE: Fight it, Avery! Help us to help you.

(AVERY lets out another strangled scream. After several moments, AVERY's hands loosen and drop to her sides. She’s breathing heavily and hot red handprints are visible on her neck. PAIGE pulls AVERY close, hugging her. AVERY starts to cry.)

LORI: Oh my god! (She stares at PAIGE and AVERY.) What was that?

PHOEBE: (quickly) Psychological trauma; potentially caused by the traumatic loss of her mother.

PAIGE: (to PHOEBE) We need to go. (to AVERY) Are you alright? (AVERY nods mutely. PAIGE takes AVERY’s hand.)

LORI: Where are you taking her?

Paige: Some place where this won’t happen again. (She starts to walk AVERY to the door, when AVERY breaks away from PAIGE and darts to the bed. PAIGE spins around and sees AVERY grab her toy alligator, from the pillow. PAIGE smiles slightly.) Are you ready now?

AVERY: A huh. (She takes PAIGE’s hand again. The four of them head out of the room.)

PAIGE: (to LORI) I will be in touch with you, just as soon as I know more about Avery’s condition.

[Scene: Manor. Attic. PRUE, PIPER, VICTOR, LEO, and the Twins are there. VICTOR is sitting on the sofa with MELINDA in his lap and LEO is still holding onto CHRIS. The Order’s PRIEST, along with MEMBER #2 and MEMBER #3 shimmer in. The PRIEST raises his scepter and points it at CHRIS, shooting a pink beam into his eyes. PIPER yells and grabs a handful of vials from the table. She hurls them in the direction of The Order members. The PRIEST points his scepter at the vials and they explode before they can cause any harm, then he holds out his arms.]

PRIEST: Master!

(CHRIS orbs into the PRIEST’s arms. PIPER looks horrified. PRUE waves her hand, but the PRIEST and the two members shimmer out before her power hits them.)

PIPER: (shrieking) Chris!

BREAK

[The Virtual Series]

Act Five

[Scene: Bay General Hospital. Miliani’s room. PAIGE, PHOEBE, and AVERY walk in to find the sheets on the bed made and a nurse putting a new pillow on it.]

PHOEBE: Excuse me, but where’s Miliani Fryce?

(The nurse turns around.)

NURSE: Ms. Fryce was released just a few hours ago.

(PHOEBE and PAIGE exchange looks.)

PHOEBE: Great. (They walk out.)

PAIGE: I can’t believe you didn’t get her phone number.

PHOEBE: Well, we didn’t know the problem was this big. We thought we could just do the potion and all would be well.

PAIGE: Too bad we didn’t know that we’d literally have to change a psychic channel. (She wrinkles her nose.) It’s too bad we don’t just have a big psychic remote with an off button. (She sighs.)

PHOEBE: If we’re lucky, she could be in the phonebook.

AVERY: (quietly) I know what her house looks like. (PHOEBE and PAIGE stop abruptly.)

PAIGE: What? (She looks down at AVERY.) How do you know?

AVERY: ‘Cause she took us there when we went to say goodbye to my mommy. (She hugs her alligator. PAIGE and PHOEBE share knowing looks.)

PAIGE: Do you know how to get there? (AVERY shakes her head. PAIGE sighs.)

PHOEBE: Maybe she doesn’t need to. (She kneels down in front of AVERY.) Avery, can you do me a favor?

AVERY: What?

(PHOEBE holds out her hands.)

PHOEBE: Take my hands and squeeze ‘em and think really hard about Miliani’s house.

AVERY: (confusedly) Why?

PHOEBE: Well…you know how Paige got us here when you closed your eyes?

PAIGE: A huh.

PHOEBE: Well I have a special gift too…and I might be able to see what you saw, if you can think about it for me.

(AVERY glances at PAIGE, who nods encouragingly.)

AVERY: I’ll try. (She closes her eyes and scrunches up her face.) Okay, I can see it. (She tucks her alligator under her arm and holds out her hand. PHOEBE takes AVERY’s hands and AVERY squeezes them.)

[Premonition: A street sign reading “Blair Drive” flashes, followed by a lavender and white house with the numbers “3504” on it.]

[Cut back to the present. PHOEBE pulls her hands away from AVERY’s. AVERY opens her eyes.]

AVERY: Did it work?

(PHOEBE smiles.)

PHOEBE: It did. (to PAIGE) We need a map.

[Scene: Manor. Attic. PRUE smoothes out the scrying map on the table and motions for LEO and PIPER to come over. She holds out the scrying crystal to PIPER and nods to LEO.]

PRUE: We need to use Melinda to find Chris. They’re Twins, and Twice Blessed at that, which means they’re two halves of a whole. She’ll be the strongest connection we have to him.

(LEO hands MELINDA to his wife. PIPER takes MELINDA’s hand in hers and wraps her daughter’s tiny fingers around the string, then she leans over and hovers the crystal over the map. It swings for a few moments, then drops. PRUE moves the crystal away and looks at the location, then she looks up at PIPER, LEO, and VICTOR in shock.)

PRUE: It dropped at P3.

[Scene: 3504 Blair Drive. PAIGE, PHOEBE, and AVERY are standing on the sidewalk. They unhinge the gate and walk up to the house, where PHOEBE rings the doorbell. A moment later, MILIANI opens the door.]

MILIANI: Phoebe. (She sees PAIGE and then AVERY. Her face pales.) Avery…

PHOEBE: Are you alright? Has Sebastian attacked since last night?

MILIANI: No, but I fear it’s only a matter of time. (She eyes the little girl.) What is she doing here?

PAIGE: We need you to tell us about the séance you performed for Marvin. (quietly) Because we think that Sebastian is after Avery too.

(MILIANI’s mouth hangs open for a minute, then she waves her hand.)

MILIANI: Come in. (They walk inside and MILIANI shuts the door.)

[Scene: P3. Back room. LEO, PIPER, PRUE, VICTOR, and MELINDA orb in. PRUE holds her hand out to VICTOR and LEO.]

PRUE: You stay here with Mel, in case you need to orb her out. (They hear a loud crash.) Come on! (She and PIPER run out.)

[Cut to the main room. TRICIA is lying amongst a pile of upturned chairs and a broken table. She has a cut lip. She starts to get up when suddenly she’s lifted off the pile of debris and thrown onto the stage. She sneers as she starts to get up.]

TRICIA: I know you’re not yourself right now, but that in no way warrants this type of behavior! (She jumps to her feet and raises her hands when she sees PRUE and PIPER.)

PIPER: (shocked) Tricia? (She looks around.) What’s going-

(PIPER’s lifted off her feet and tossed up and over the bar. PRUE jerks around and notices a flash of movement from the corner of her eye. She throws out her hand and hears a loud thump near the alley exit. TRICIA jumps off the stage and runs towards the bar as PRUE moves in the direction of exit door. In the back, she discovers a young man with thick glossy brown hair, unconscious on the ground. TRICIA and PIPER run up.)

PIPER: Who the hell is that?

(TRICIA swallows uneasily.)

TRICIA: My brother.

[Scene: Miliani’s house. Den. A fireplace is located on the far wall, the mantel is lined with several unlit candles. In the middle of the room is a circular table with a plum colored satin cloth and a single white candle in the center. Various charms are hanging around the room. MILIANI, PHOEBE, PAIGE, and AVERY enter.]

MILIANI: This is where I do all my summoning.

PHOEBE: Was anything different about Marvin’s? Before Sebastian, I mean.

MILIANI: No. He came to me a month after his wife died because he said Avery was having trouble sleeping at night. He said he wanted to contact her to give Avery a chance to say goodbye. (She moves to the table.) I sat them down at the table like I always do and lit the candles, then we took hands and I began to try and wade through the psychic channels to find her. It went well at first, she began to come through, but only maybe thirty seconds in, I began to feel another presence trying to cut in. It was furious-

PHOEBE: Did Marvin tell you how Dora died?

(MILIANI shakes her head.)

MILIANI: You’re thinking it’s personal.

(PHOEBE nods.)

PHOEBE: Since Dora is already gone, yet Sebastian still broke through to attack Avery, it has to be personal. What I don’t get, though, is why he’s attacking you as well.

MILIANI: I do. (pause) I’ve been trying to close the connection, but his will for revenge is strong, and I can’t just shut it off like I normally can.

PAIGE: But with you dead, the channel would be permanently left open.

MILIANI: Yes. (She sighs and takes a seat at the table.) And the longer his channel is open, the stronger his spirit becomes on this plane.

PAIGE: That must be why the attacks on Avery started out small and have continued to get worse. As his spirit grows, so does his ability to do harm.

MILIANI: (to PHOEBE) You said you knew how to help…have you found out how to stop him yet?

(PHOEBE looks at her watch.)

PHOEBE: We have to wait until sundown, which won’t be for a few more hours.

[Scene: P3. PRUE, PIPER, TRICIA, LEO, VICTOR, and MELINDA are gathered near the bar. TOPHER BEATUS is still lying on the floor and still unconscious from PRUE’s earlier blast.]

PIPER: So, let me get this straight, you’re a witch?

(TRICIA slowly nods.)

TRICIA: Yes. (She rolls her eyes and laughs nervously.) Well, it’s so much more than that…

(PIPER presses her fingers to her temples.)

PIPER: I don’t understand! The crystal was supposed to take us to Chris! He’s not here. Nor is The Order!

(TRICIA tentatively touches PIPER’s shoulder.)

TRICIA: Your scrying crystal did work.

(PIPER looks up.)

PIPER: Where is he then?

(TRICIA’s eyes wander over to TOPHER. PRUE, LEO, and VICTOR look over as well. PIPER squints, studying TOPHER’s brown hair. Her hand reaches for her own. She starts to shake her head.)

PIPER: No…

LEO: (to TRICIA) You’re telling us that that is my son?

TRICIA: Yes.

VICTOR: Then why was he attacking you?

TRICIA: The Order reversed his morality. He thinks what is good is bad now.

PRUE: Uh, excuse me, but I’ve got a question here…when The Order took Chris, he wasn’t even six months old yet, (she points to the brown haired man on the floor) so would you mind explaining that one for us?

(TRICIA chews her lip awkwardly, then rises to her feet. She runs a hand through her blonde hair, then yanks it, pulling off the blonde wig to reveal rich chocolate colored hair in a tight bun. She pulls out a few pins and her hair falls down her back in a glossy brown shower.)

TRICIA: (to PIPER) Hi Mom.

BREAK

[The Virtual Series]

Act Six

[Scene: P3. LEO, VICTOR, PIPER, and PRUE are staring open-mouthed at the now brunette woman they’ve known as TRICIA. PRUE’s head suddenly flicks back and forth between her and the brunette haired young man on the floor.]

PRUE: Beatus means blessed, as in Twice Blessed, Topher is short for Christopher, and Tricia (she looks at the twenty-four-year-old holding the blonde wig) is short for Patricia…as in Melinda Patricia.

(MELINDA coos excitedly and wiggles her arms from her position in her father’s arms.)

LEO: But how?

ADULT MELINDA: That doesn’t matter right now. (She motions to ADULT CHRIS.) What does, is finding Baby Chris before The Order finds Baby Me. (She looks at her bother.) I need the scrying crystal.

[Scene: Ceremonial chamber. The Order members are gathered around, chanting in a foreign language. Their chant is hallow-sounding and echoes. At the stone altar, the PRIEST is holding CHRIS in the air. CHRIS is dressed in a miniature blood colored velvet hooded robe. The chanting dies down and the PRIEST lays the baby on the altar. He holds up his crystal scepter.]

PRIEST: Young Master, you must summon your sacrifice.

(The PRIEST takes the scepter and begins to wrap CHRIS’s tiny fingers around it when suddenly a shower of orbs deposits LEO, PIPER, PRUE, and ADULT MELINDA in the midst of The Order members. PIPER begins to hurl potions left and right, vanquishing groups of Order members. LEO grabs one of the Order member by the collar and knees him, throwing him to the ground. PIPER throws a potion onto the same member’s chest, vanquishing him. PRUE flings out her hand, blasting members off their feet in a rage. Bursts of flames and smoke continuously pop up among the sound of screaming until only the PRIEST remains, with his hands securely on CHRIS and the scepter.)

ADULT MELINDA: Prue, the scepter!

(PRUE eyes the scepter and holds out her hand. It starts to pull towards her, then glows and stops.)

PRIEST: It’s not your scepter to take, witch! (to CHRIS) Kill them, Master! (He tilts the scepter towards PRUE and ADULT MELINDA. A pink beam shoots from the crystal. ADULT MELINDA throws up her hands, freezing the beam mere inches from herself.)

ADULT MELINDA: Prue, now!

(PRUE squints her eyes, reversing the beam with her powers. It flies back and hits the PRIEST in the chest. The PRIEST screams as he explodes in a fiery vanquish. The crystal scepter drops to the ground with a clank. ADULT MELINDA walks over and picks up the scepter. She points it at CHRIS’s eyes, a pink beam flies into them, and then she sets the scepter down and picks up her baby brother.)

[Scene: Manor. Entry way. PAIGE, PHOEBE, AVERY, and MILIANI orb in. MILIANI looks astounded.]

MILIANI: My gods, (she looks around) I always knew there was more power out there than I possessed, but I never knew power like this existed!

PAIGE: And there’s a reason for that. (She looks around.) Prue?

PHOEBE: Piper!

PAIGE: Maybe they’re in the attic? (She directs MILIANI and AVERY to the stairs.) This way. (PAIGE goes up ahead of them and PHOEBE stays behind AVERY as PAIGE leads them to the attic.)

[Scene: P3. VICTOR has MELINDA on his lap. He’s sitting on a barstool, studying ADULT CHRIS, who is still out cold on the floor. ADULT CHRIS’s head starts to move ever so slightly. VICTOR leans back. ADULT CHRIS moans and attempts to get up. He tilts his head to see VICTOR and MELINDA. His green eyes become wide.]

ADULT CHRIS: You’ve got to be kidding me!

(LEO, ADULT MELINDA, PIPER, and PRUE orb in. ADULT CHRIS’s eyes land on his twin and he glares daggers at her. She glares back at him and they seem to lock eyes. ADULT MELINDA suddenly folds her arms. ADULT CHRIS forms a fist and angrily punches the floor. He notices five white crystals surrounding him. ADULT MELINDA tilts her head to the side with a smirk on her face. PRUE and PIPER look at each other. PRUE suddenly steps between ADULT MELINDA and ADULT CHRIS.)

PRUE: Sorry to break up this little… (She waves her index fingers back and forth rapidly between her adult niece and adult nephew.) …whatever this is, but we need answers. Now.

ADULT CHRIS: (to ADULT MELINDA) And they wouldn’t, if it wasn’t for you.

ADULT MELINDA: Well, I’m not the one who just turned evil, thank you very much!

(ADULT CHRIS flicks his hand towards the crystals.)

ADULT CHRIS: Kindly remove these so I can move.

(PRUE grabs one of the crystals, deactivating the force field. ADULT CHRIS stands up.)

LEO: Are you from the future?

(ADULT MELINDA and ADULT CHRISs suddenly become quiet. PIPER gasps, but doesn’t say anything.)

PRUE: Wait, before anyone says anything else, I think Phoebe and Paige need to get here. (to LEO) Where are they?

(LEO briefly closes his eyes.)

LEO: At the Manor.

PRUE: Let’s go.

[Scene: Manor. Attic. PAIGE is searching through the Book of Shadows when LEO’s orbs deposit her remaining sisters, brother-in-law, Victor, and both the present and future versions of her niece and nephew. PAIGE's jaw drops open as she points to ADULT MELINDA.]

PAOGE: Tricia?! (to PRUE and PIPER) Am I missing something or is that a shapeshifter?

(PIPER sees AVERY and MILIANI.)

PIPER: Are those innocents in our attic?

(ADULT MELINDA steps forward. She motions her hands, freezing AVERY and MILIANI. PAIGE and PHOEBE look equally shocked. ADULT MELINDA grabs ADULT CHRIS’s arm and yanks him forward.)

ADULT MELINDA: We have something we need to tell you.

PHOEBE: I’d say that’s an understatement!

VICTOR: Oh, you haven’t heard the half of it yet. It’s more like the understatement of the century.

ADULT MELINDA: Chris and I are from the future.

PAIGE: Chris and… (She looks between ADULT CHRIS and ADULT MELINDA, then her eyes shift to the children in LEO’s and VICTOR’s arms respectively.) Oh…I think I need an Advil.

PRUE: Why?

ADULT MELINDA: To save it.

(PIPER makes a little noise. LEO looks oddly at her.)

PHOEBE: From what?

(ADULT CHRIS shrugs.)

ADULT CHRIS: Annihilation.

[Time lapse. PIPER sets a tray of chamomile tea down on the circular table. She picks up a glass with shaky hands and takes a long drink.]

PAIGE: But why can’t you tell us? Isn’t the whole point of coming to the past so you can change the future?

PRUE: Having been to the past, Paige, I can tell you that there is only so much you want to say so you don’t change the past in ways you weren’t expecting. (She shifts her gaze to ADULT MELINDA0 and ADULT CHRIS.) However, I can’t say I actually stayed in the past for over two months, so this situation must be a little different.

ADULT MELINDA: Try a lot.

(PHOEBE glances warily at AVERY and MILIANI, who are still frozen.)

ADULT MELINDA: We didn’t have a choice. We had to get out of there when we did, otherwise we would’ve been killed.

PRUE: I know the feeling.

LEO: Okay, so you can’t tell us who destroyed the future…can you at least tell us how? I mean, with the type of damage you’ve described, I don’t understand why the Grand Design’s fail safes didn’t kick in.

(ADULT CHRIS and ADULT MELINDA share looks.)

ADULT CHRIS: We aren’t at liberty to explain the specifics to you, but in short, there were a series of un-destined events that took place and directly lead to the destruction of the future.

PAIGE: I still don’t get it. (She motions to her sisters.) When the Power of Four was un-destined, the Grand Design kicked in to even the playing field.

ADULT MELINDA: Think of the Grand Design as a giant quilt and each strand of fabric as a destiny. When one thread is tugged or pulled, it affects all the other threads around it depending on how the original strand was first affected. This is why destiny can be rewritten, because no matter what, that strand is still in the weave of the Grand Design.

ADULT CHRIS: But un-destined events are not part of the Grand Design. They’re outside the control of destiny and the Grand Design.

ADULT MELINDA: Think of the un-destined events as a pair of scissors, ripping at the quilt that is the Grand Design. It’s powerless to do anything, because the scissors aren’t a strand, they’re an outside force.

LEO: And so you’ve come back to stop this outside force from ever coming into being in the future.

ADULT MELINDA: Exactly.

PAIGE: It’d be easier if we knew who this force was.

ADULT CHRIS: We can’t. I’m sorry. By telling you, it could potentially speed up the events we’ve trying to stop.

(PHOEBE is still eyeing the two innocents.)

PHOEBE: (concerned) How long are they going to stay frozen?

(ADULT MELINDA shrugs.)

ADULT MELINDA: Until I unfreeze them.

PIPER: I’ve never held a freeze this long. You must have a lot of control over your powers.

(ADULT MELINDA grins.)

ADULT MELINDA: Well, I have had them my whole life. (She grins.) Plus, Chris isn’t the only one whose powers are enhanced by our Twice Blessed status. (ADULT CHRIS hits her.) What? (She glares.) It’s not like that’s going to drastically change the future. You’re so paranoid!

PAIGE: How long do you plan on staying?

ADULT MELINDA: To be honest, we’re not sure.

PHOEBE: I have a question, how do you still have your powers?

ADULT CHRIS: It was part of the spell. We knew from being told about your experiences in the past that we wouldn’t, so we made sure that our spell would allow both us and (he motions to his and ADULT MELINDA's present selves) them would have our powers.

(PAIGE notices the sun going down through the windows.)

PAIGE: Sorry to cut this revelation short, but it’s starting to get dark and we’ve still got a bone to pick with an angry spirit.

PRUE: Paige’s right. (She sets her chamomile tea mug down and stands up.) I’ll go get the potion.

[Scene: Cemetery. Sebastian Xavier’s grave. The plot is nothing special, just a headstone with SEBASTIAN’s name, year of birth, and year of death. It’s cold and unwelcoming. A cool breeze is starting to blow as PRUE, PHOEBE, and PAIGE walk up. PAIGE tugs her jacket around her arms.]

PAIGE: Okay, let’s do this.

PHOEBE: And Prue, be careful this time. No smashing his skull or anything, we don’t want him moving his bones like Lundy did.

PAIGE: Who’s Lundy?

PRUE: A ghost from our past.

(PAIGE rolls her eyes.)

PAIGE: Not funny.

(PRUE points.)

PRUE: Keep a lookout.

PHOEBE: Maybe we should’ve brought Mel? She could’ve froze anyone who might be wandering around here after dark.

PRUE: Shh!

(PAIGE and PHOEBE take turns looking around for any stray people while PRUE closes her eyes and raises her hands, mentally summoning up the dirt from the ground. The ground begins to rumble under their feet. PAIGE jumps back. Several moments later, there’s a pop of dirt as the coffin rises out of the ground. PHOEBE pats PRUE’s shoulder.)

PHOEBE: Good job. (She pulls the potion out of her jacket pocket and moves to the dirt caked coffin. She wrinkles her nose as she notices that it’s rusty.) Uh, Prue, one more thing, please?

(PRUE squints her eyes and the coffin lid opens. PHOEBE and PAIGE peer in to find what’s left of SEBASTIAN’s severely burned corpse. PHOEBE plugs her nose.)

PAIGE: Oh! That’s pungent!

(PHOEBE pulls her shirt up over her nose as she unscrews the lid and then quickly pours the potion over SEBASTIAN’s bones. The potion begins to sizzle and pop like acid, eating through the remaining charred flesh until it reaches the bones. Suddenly, an icy wind races by the Charmed Ones. Chills wash up and down PHOEBE as SEBASTIAN’s invisible spirit moves through her and suddenly becomes visible. His limbs are disappearing in time with his bones as they’re eaten by the potion. SEBASTIAN screams and then disappears as the last of his skeleton, the skull, finally disintegrates.)

PAIGE: I think it’s safe to say that skeleton won’t be coming out of the closet ever again.

[Time lapse. PAIGE and AVERY are walking up the steps to AVERY's house. The door opens before PAIGE even gets a chance to ring the doorbell. AVERY runs into MR. ELLIS’s arms and he hugs AVERY fiercely. PAIGE smiles as she hangs back.]

PAIGE: Mr. Ellis.

(MR. ELLIS sets AVERY down. PAIGE holds out a file to him. He takes it.)

MR. ELLIS: How did you fix this?

PAIGE: I’ve had Avery evaluated by a psychologist I know, by the name of Laura Brenton. She’s determined there was no abuse; that the root of the problem was psychological and that a series of sessions to help her overcome the loss of her mother will prevent anymore incidents; social services agrees with her evaluation (she nods to the folder) and everything you need to know about the sessions is in there.

(MR. ELLIS’s eyes are becoming glassy.)

MR. ELLIS: I don’t know how to thank you. (He hugs his daughter.)

PAIGE: You just did.

[Scene: Miliani’s house. PHOEBE is standing at the front door. It opens to reveal the MILIANI.]

MILIANI: (surprised) Phoebe, I wasn’t expecting you.

PHOEBE: I know, but I just wanted to see how you were doing. Everything’s fine, right?

MILIANI: Yes, (she ushers PHOEBE inside) whatever it was you did, thank you. You’ve given me my freedom back. (pause) Uh, can I show you something? (PHOEBE nods. MILIANI leads her into her living room, where a laptop has been set up on the coffee table. MILIANI grabs a stack of printouts next to the laptop and gives them to PHOEBE.) After you told me Sebastian cutting into the séance might not have been accidental, I decided to do a little research and I found this.

(PHOEBE sifts through the papers, looking wide eyed.)

PHOEBE: He and Dora died in a drug sting that went bad. (She looks down the paper.) They were killed in an explosion.

MILIANI: I think that’s why he went after her daughter, for revenge. (She sits down on her couch and closes her laptop.) I’ve seen a lot of things in my life, Phoebe, but nothing like this. (She shakes her head.) I can tell you this much, (she nods) I won’t be holding any séances anymore...psychic channels are just too risky and I couldn’t live with myself if I put another person in danger again.

[Scene: Piper and Leo’s house. Chris’s room. MELINDA and CHRIS are seated in their car seats on the floor while LEO packs CHRIS’s powder blue diaper bag. VICTOR walks in.]

VICTOR: Almost ready to go?

LEO: Just got done packing, actually. (They each grab one of the Twins’ carriers.)

[Cut to Melinda’s room. PIPER and ADULT MELINDA are there.]

PIPER: …so I guess we could just put a bed over there and you could stay here if you wanted.

ADULT MELINDA: That would be more fantastic than you even know! Seriously, (she waves her hands) I’d be more comfortable sleeping on a bed of nails than those awful motel mattresses. (She grins.) I’m so glad we got this whole time travel thing out in the open, (she makes a mock motion of wiping sweat off her forehead) it’s so much easier. (She suddenly turns around, noticing ADULT CHRIS in the doorway. She glares at him.)

PIPER: Speaking of, (she looks around and then moves to the door to shut it) I have something I need to ask you. (pause) Did Matt send you?

ADULT MELINDA: Matt? (ADULT CHRIS hits her. She rubs her arm and glares.) Matt… (She shakes her head.) No… (She eyes her brother.)

ADULT CHRIS: Matt…Matt’s dead.

[Scene: Downtown San Francisco. The Pins Plaza. PRUE is waiting at one of the tables, strumming her fingers in boredom as she stares at the empty bowling lane in front of her. GLENN walks up.]

GLENN: Where’s everybody else?

PRUE: Not here yet.

(GLENN grins.)

GLENN: Guess it’s just you and me, then.

(PRUE stands up.)

PRUE: Guess it is.

GLENN: Guess who’s going down.

(PRUE grabs a blue bowling ball.)

PRUE: Guess again.

(PRUE walks over to the lane, rolls her bowling ball, and gets a strike. She turns around and places her hands on her hips. GLENN grins, grabs his orange bowling ball, and exchanges positions with PRUE. He rolls the ball and it also makes a strike.)

[The Virtual Series]

End Credits

Special Co-Starring Appearance
Drew Fuller --- Adult Chris Halliwell

Co-Starring
Brody Jo Hamilton --- Melinda Halliwell
Jackson Phillip Deveraux Kaufman --- Chris Halliwell
David Reivers --- Bob Cowan
Becky Wahlstrom --- Lila Wright
Ron Jordan --- Marvin Ellis

Featuring
Joseph Hodge --- Member #1
Luke Massy --- Member #2
Joe Cappelletti --- Member #3
Taye Hansberry --- Lori Snyder
Josh Minnie --- Sebastian Xavier

Production & Design
Daniel (Astral Echo) - Co-Casting Director
Camille (Fourever Charmed) - Co-Casting Director
Alex (Criminally Vulgar) - Video Editor (Credits)
Alex (Criminally Vulgar) - Set Designer